The HBO film RECOUNT, which aired this past Sunday, was a surprisingly effective encapsulation of the whole nutty affair that was the 2000 election, centered around the mess in Florida and the subsequent battles back and forth. The fact that much of the true story involves people counting ballots and lawsuits would lend one to believe it wouldn't make for all that much drama but screenwriter Danny Strong found plenty. And certainly there was some embellishment, particularly in individual interactions and in some of the chronology. But in general, based on what I've read about the 2000 election, documentaries and news I've seen, and personal accounts, overall it was fairly accurate. (Interesting, and sad, to think that just departed Sidney Pollack was slated to direct the film initially but couldn't due to his battles with cancer.)
I had to chuckle a bit at a few reviews who criticized it for fictionalizing some of the dialogue between key players. Oh really? You mean it's, you know, a film? I mean, seriously, if the gist of the truth is captured in those interactions, so what if the conversations are embellished and dramatized. It's a drama!
Certainly it empathizes more with the Democrats if anyone, but it doesn't paint Warren Christopher (played pitch perfectly by John Hurt) in the shiniest light, and shows Ron Klain (a wonderful Kevin Spacey) as not being totally sold on Al Gore, having been previously snubbed by him. And if Fla. Secretary of State Katherine Harris isn't portrayed in a flattering light, well, scary to say, but Laura Dern's portrayal is pretty spot-on, frankly, and anyone who doubts that should look at real life footage of the in-over-her-head Harris during that time. And Tom Wilkinson's James Baker is empathetically portrayed, too, with a scene near the end that reveals why he became a Republican after being a Democrat for the first 40 years of his life adds to his complexity. As well, movies like an underdog and in that story the Democrats were the underdogs even though they won the popular vote, who had a legitimate beef (or twenty) with the chaotic and corrupt electoral process.
Watching the film is often amusing, as it captures the black comedy of it all, but it's also fairly depressing. No matter who else committed errors and ethical transgressions during that election, it's pretty disturbing to think it was the US Supreme Court who ultimately committed the biggest screw-over of all. By approving a stop on the hand counting of ballots in Florida, and then saying the hand counting couldn't continue because they missed the deadline, an irony the film captures well, with Spacey's Klain basically laughing at the absurdity of it all, and then by literally calling their ruling a "one-time only" (offer not good in any stores) deal, the Supreme Court as much as anyone in 2000 has the taint of that mis-election on their hands.
As a personal sidenote: Watching the film I also realized how much of that period I'd blanked out on. Partially because it was so surreal and awful, but also because it was then that my stepmom was on her last legs with cancer. I even remember her saying after the election some sort of blackly funny comment about at least she won't have to be around for the Bush administration. Oh, but if only you knew, dear.
Recount: ***1/2 (out of 5)
Airing on HBO all this month. Out on DVD this summer.
Note: There's also an interesting epilogue posted on the official site.
Recent Comments